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Top 10 British Films Of 2014

New: Top 10 Best British Films 2014 (UK Movies)With 2014 about to be flushed away, to bob alongside the memories and fatbergs in the sewer of history, now seems the perfect time to slyly glance back over our shoulder at the Top 10 best British Films of 2014.

Oh and before we leap headfirst into the rundown (rundown, not rub down – shirt back on, please), for the purposes of this list we are defining a British film as a film made in Britain, set in Britain, produced using mostly British cash and/or with a good-sized rabble of British actors in it. Simple, eh? Cue the countdown! [Now updated to 20!]

20. Hector And The Search For Happiness
Best British Films 2014

Simon Pegg packs up his ordered professional life to embark on a global odyssey, all in the name of discovering the secrets of a truly joyful life. It’s a quest which carries him across the globe, taking in China, Los Angeles and more.

And yet, for all his wandering, Simon discovers that true happiness actually begins at home, in the shape of soulmate Nick Frost, entirely naked and with a single daisy perched delicately between his meat-buns. [No it doesn’t – ed.]

19. The Railway Man


Colin Firth stars as Eric Lomax, who meets his dream girl (played by Nicole Kidman) on a train and promptly marries her.

Blimey, 10 minutes in and the movie’s over – who’s up for a pint?

Er, not so fast, chugalug. From that starting point we proceed backwards, delving into Eric the Younger’s experiences as a wartime POW (played by Jeremy Irvine, who does a decent impersonation of older-ego Firth), toiling on the Burma-Siam railway.

Based on the best-selling memoir by Lomax (who died in 2012), The Railway Man offers a solid, well-made WWII story, while feeling a bit much in the best possible taste to truly distinguish itself from similar tales told previously on the silver screen.

18. Cuban Fury


Okay, so yes, it’s more formulaic than an algebra textbook. And its reliance on its logline gag of lovably chubby Nick Frost shaking his sequin-clad ass is as heavy as… well, lovably chubby Nick Frost.

But hey, hold on there. Cuban Fury trots out just enough good-natured mirth to save itself, largely thanks to Frost’s innate likeability, not to mention the support provided by Ian McShane, aka Deadwood’s Al Swearengen, who shows up as a typically foul-tempered dance instructor.

17. Downhill


Want to see a bespectacled man in his 50’s have a meltdown over a pack of cheesy wotsits? Downhill is a small, unfairly overlooked British comedy about four old school buddies, now middle-aged (including Jeremy Swift from Downtown Abbey, Karl Theobald from Alpha Papa and Ned Dennehey channeling Withnail), embarking on a coast to coast walk across the UK. En route they each go through a mid-life crisis.

From a first time feature director, it’s deceptively slight at first but by the end you’ll realise you’ve watched an accomplished, well-constructed character piece. The cast have a great dynamic and amusing moments abound. Admittedly you’ll probably appreciate it more if you’re pushing the grand old age of 30+.

16. Frank
Top British Films 2014

The last time the writing of journalist Jon Ronson was committed to film, the result was Men Who Stare at Goats, an adequate but formula-friendly take on interesting true-life source material. For Frank, inspired by his own adventures with late British performance artist Frank Sidebottom, Ronson assumed scripting duties himself, alongside Goats screenwriter Peter Straughan.

And the result? Er, an adequate but formula-friendly take on interesting true-life source material.

As the ivory-tinkling main character, Domhnall Gleeson is stuck in irritating Richard Curtis vom-com mode that hopefully will have been lightsabered out of him by the time Episode VII opens. Maggie Gyllenhaal plays Carey Mulligan in Llewyn Davis, but minus any humour or charisma. So it’s left to Magneto himself, Michael Fassbender, to save the day, all from inside a papier-mâché head.

Best British Movies 2014
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11 Comments »

  • Sheridan Passell said

    You can’t call one of the premium actors of his generation, Brendan Gleeson, an “auburn yeti”. Outrageous.

    Is there some contract somewhere that says Chris O’Dowd has to be in every British film this year?

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  • G said

    Under the Skin was awful. Trying to hard to be a David Lynch film. Though Scarlet’s English ascent was surprisingly believable.

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    • Sheridan Passell said

      I gotta say I loved Under the Skin. It wasn’t surreal and hard to interpret like a Lynch film it was more mainstream Kubrickian and I thought it was the best British film of 2014 so far (that I’ve seen). Sure some of the shots in the second half run a few seconds too long and it lacked the energy of the first half but the composition and visual storytelling were top drawer.

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      • G said

        I thought it was surreal just for the sake of being surreal. It did have a beauty to it, but it was all a bit pointless to me.

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  • gd smith said

    I liked under the skin. but I wish people would stop flinging Lynch a Kubrick around as comparisons.
    Lynch is a one off. Kubrick tended to stay fairly close to the source material he was working with, but made it is own through tone which usually involve a lot of humour.

    Under the Skin is much closer to social realism, meeting the French new Wave of Godard for a gnomic remake Xtro

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    • Sheridan Passell said

      Stephen King was very upset at what a departure The Shining was from the source material. Jonathan Glazer’s camera style is like Kubrick, not like Godard as far as I can see. It has the same cold detachment too. While the opening sequence with the eye forming could have been a deleted scene from 2001.

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  • JemimaR said

    I think the best british films of 2014 are Cuban Fury and soon The Inbetweeners 2 not seen many others yet …
    :)

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  • Sheridan Passell said

    Jude Law’s Scottish accent in that clip is quite incredible.

    Did you just describe Mike Leigh, one of the country’s foremost directors, as looking like a “gnome whose toadstool’s just been demolished”?

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  • jwal said

    number 2 is not a brit movie, its Irish. Irish cast, irish location, nothing british about it

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    • Sheridan Passell said

      It’s a co-production and describes itself as such, paid for by the UK National Lottery, nominated for Best British Film at the BAFTAs.

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